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Группа авторов The Russian Avant-Garde and Radical Modernism

Группа авторов The Guggenheim Reader Series: Russia


The Guggenheim Reader Series: Russia is the inaugural title in a new e-book series that brings together scholarly essays on prominent themes. The Guggenheim has a rich history of exploring Russian art and the avant-garde in particular; this anthology collects the most insightful and influential essays from exhibition catalogues such as The Great Utopia: The Russian and Soviet Avant-Garde, 1915–1932 (1992) and Russia! Nine Hundred Years of Masterpieces and Master Collections (2005), as well as focused monographic studies of Russian masters like Vasily Kandinsky and Kazimir Malevich.

529.16 RUR

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Группа авторов Between the Avant-garde and the Everyday

Фотоальбом.The Conquest.Yakov Khalip,Heir To The Russian Avant-Garde (на англ.яз.)


Вашему вниманию предоставляется "The Conquest".

4514 RUR

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John Roberts Revolutionary Time and the Avant-Garde


Why the avant-garde of art needs to be rehabilitated today Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism. An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri.

2278.4 RUR

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Therese Kaspersen Hadchity The Making of a Caribbean Avant-Garde


Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from “traditional” in favor of “new” media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a “postnationalist postmodernism,” which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding “Creole modernism” and explains the different guises of postnationalism in the region’s contemporary art. In section two, its [PKM1] momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. [PKM1]AU: clarify “its.” The contemporary art scene?

3802.91 RUR

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Chagall to Malevich. The Russian Avant-Gardes


When Marc Chagall, Kasimir Malevich, and the other artists of the Russian Avant-Garde created art in opposition to the sanctioned style of Socialist Realism, they set off an artistic revolution that represents a fascinating chapter in the history of twentieth-century art. Reaching its creative zenith between 1905 and 1934, the movement is best known for combining Cubism with the forward-looking vision of the Italian Futurists, but the movement was also much more diverse than is generally realized.This book presents for the first time a comprehensive look at the scope of the Russian Avant-Garde movement through a sequence of 130 major and minor works by Chagall and Malevich, as well as Nathan Altman, Alexandra Ekster, Natalia Goncharova, Wassily Kandinsky, Mikhail Larionov, El Lissitzky, Kusma Petrow-Wodkin, Liubov Popova, Alexander Rodchenko, and many others. Together, these works show how widely different styles and design principles developed in parallel. While some turned to expressionism and pure abstraction, others drew inspiration from the successive movements of primitivism, Cubo-futurism, and suprematism. Artists within the movement frequently drew inspiration from one another, but their aesthetic views were also at times in conflict.With a wealth of full-color illustrations, Chagall to Malevich: The Russian Avant-Gardes offers a rich sense of this radically innovative tradition, presenting the diversity of the movement while reinforcing its broader aim of challenging conventions of art at the time.

7990 RUR

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Benjamin Piekut Experimentalism Otherwise


In <i>Experimental Otherwise</i>, Benjamin Piekut takes the reader into the heart of what we mean by «experimental» in avant-garde music. Focusing on one place and time—New York City, 1964—Piekut examines five disparate events: the New York Philharmonic’s disastrous performance of John Cage’s <i>Atlas Eclipticalis</i>; Henry Flynt’s demonstrations against the downtown avant-garde; Charlotte Moorman’s Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions.

2658.77 RUR

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The Power of the Avant-Garde


In The Power of the Avant-Garde, contemporary artists from different art disciplines enter into dialogue with their colleagues from the historical avant-garde movement. Luc Tuymans talks about &apos;Le Grand Cheval&apos; of Raymond Duchamp-Villon; Marlène Dumas describes her passion for Edvard Munch; John Baldessari discusses the genius Marcel Broodthaers,... This book makes surprising links, shedding new light on the power and influence of art before, during and after World War I.

6470 RUR

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Russian Urban Art: History and Conflicts


The book takes the format of an opinion-based essay. The author examines the power of street art in Russia by exploring its historical background, extending from avant-garde movements of the early twentieth century, to the non-conformists and the actionists of the twenty-first century. It is an attempt to analyze as well as expand the potential of Russian street art by sharing examples of significant and relevant art phenomena and processes.

1490 RUR

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Remezova Ksenia The Avant-Garde Train


This book delves into the world of the Russian Avant-Garde artists, who raced full speed ahead and created daring and original works on the way. Even today their ideas are challenging and their art is amazing, although it has been a century since their first experiments. But this is no art history lecture course. You will hear the voices of Kazimir Malevich, Natalia Goncharova, Mikhail Larionov, Alexander Rodchenko, and others. Memoirs, manifestos, diary entries from contemporaries, and reviews by critics - this is what fills the pages of this unusual travelogue. Let’s jump in and journey together on this train, seeing and hearing what started their voyage, which passengers climbed aboard at different stations, what discoveries they made together, and what thought-provoking works of art they produced for the world.

2052 RUR

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Группа авторов Provoking Democracy


A provocative and compelling book that explores the complex relationship between democracy and avant-garde art, offering a surprising new perspective on the critical role that the arts play in democratic governance at home and abroad. Covers a broad range of topics, from disputes over public art, copyright, and obscenity, to the operations of the House Un-American Activities Committee during the Cold War Highlights detailed and at times shocking debates over the role of the rebellious artist within society

11132.58 RUR

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Группа авторов Puzzle Films


Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling–from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia

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Группа авторов Specimens of the Russian poets


Полный вариант заголовка: «Российская антология = Specimens of the Russian poets : with preliminary remarks and biographival notices / translated by John Bowring».

0 RUR

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Группа авторов Shapes of Apocalypse


This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of “end of history” and “end of present time” are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.

2662.57 RUR

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Therese Kaspersen Hadchity The Making of a Caribbean Avant-Garde

Русский музей: Альбом путеводитель, на английском языке


The Russian Museum was opened in 1895, by a decree of Tsar Alexander III, and as such was the first state owned museum of art in Russia. Housed in the Mikhailovsky Palace (architect C.Rossi), the Museum numbers nearly 400.000 exhibits, and has a huge range of Russian art which rival that of the Tretiakov in Moscow. The exhibits date from ancient icons to the Avant-garde school of painting of the 20th century, and include many landmarks in the history of Russian art, such as Bruillov's 'The Last Day of Pompeii', and Repin's 'The Barge Haulers'.

611 RUR
Гусев В.

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Группа авторов The Russian Cinema Reader

Группа авторов The Russian Twentieth Century Short Story

Группа авторов Faith and Reason in Russian Thought

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